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Sunday, December 12, 2010

Black Swan


The plot of Black Swan is based around Tchaikovsky’s beloved Swan Lake, but let’s not be led astray, this film isn’t focusing on the beauty and grace of the ballet world, but rather the dark, desperate side to the seemingly unstrained dance. It isn’t all tutus and ribbons this time.
                Directed by Darren Aronofsky, it tells the story of a young ballerina, Nina (Natalie Portman), and her painful journey to the top. She lives in a small New York apartment with her much too overbearing mother (Barbara Hershey) and seems to be stuck within her childhood. Her timid speaking voice, pink pajamas, and stuffed animal filled bedroom all convey to the audience that despite her age, Nina is, and always will be, a little girl, or “My Sweet Girl” as her mother so lovingly (and creepily) refers to her. She is fragile, not unlike the tiny plastic ballet dancer that spins round and round in her jewelry box every night to help Nina rest easy. She is constantly on edge and painfully alert. The audience is made well aware from the very beginning that Nina’s seams are, and always have been, frayed, and they are in danger of coming apart at any second.
She dances for a major ballet studio directed firmly by Thomas Leroy (Vincent Cassel) and is dying to get her “big break”: a leading role in the company’s next production of Swan Lake. Winona Ryder makes her appearance as the unstable, former head dancer of the company who has simply become too old and well-known to be marketable. Despite her unflinching self-deprecation, Nina gets the part of The Swan Queen. If her stress-level was high before, it’s off the charts by this point. Her strenuous practice sessions become much more frequent and much more, well, strenuous. Let’s just say that your feet will be aching by the time the movie’s over.  Her life becomes characterized by hallucinatory experiences and paranoia. Nina has no problem playing the innocent role of the White Swan, but cannot ever seem to “let loose” enough to play darker role of the Black Swan. When a new dancer named Lily (Mila Kunis) comes onto the scene straight out of California, Nina is threatened. Lily does everything that Nina cannot seem to. Nina’s already paranoid tendencies do not help her to deal with this unfortunate situation. She scratches at her own skin until it bleeds, dull to the pain. Long story short, she battles with both herself and others on the days leading up to the premiere of the ballet, striving for perfection. This strive involves throwing up her food, spraining various body parts, and relentlessly tearing herself apart, both physically and mentally.
The film has a certain Phantom of the Opera quality to it, but without the heartwarming moments and soaring vocal renditions. It’s fast paced—threatening to explode at any moment. At times the thrill is almost too much to handle, but nevertheless it will constantly keep you on the edge of your seat. Much of the movie is filmed as though seen through the eyes of a very close follower. As Nina is hurrying to work you only see the back of her hair as the camera jostles slightly with her every step. The audience sees all of Nina’s obsessive tendencies up close and personal, making them all the more disturbing. Uneasiness seems to be a common theme, and it resonates with the audience. There were a few moments in the film that were funny, although not necessarily intentionally so. The audience in the theatre would laugh nervously, desperate for a small break from the uncomfortable subject matter. Black Swan is not for those with weak stomachs, and it’s definitely not a “feel good” film by any means, but it delivers masterfully in the thrill and terror departments. It will get under your skin. Pun intended.
Natalie Portman does an amazing job in her role as Nina. She did a majority of her dancing scenes on her own after training for months before filming, and cut her weight down to a scary low. She is so convincing as Nina that you’ll have to keep reminding yourself that this tiny, fragile woman with bones jutting out everywhere is actually Portman, and that she has done all of this for a movie role. Her dedication to her career is inspiring.
Black Swan is an intense, psychological thriller that is definitely worth your time. Your muscles will ache from the tension by the end. You will become almost completely immersed in the world that Aronofsky has created. In the last scene, without giving away the twist ending, Portman really sums up the film in just three short words: “It was perfect.”

               

Sunday, December 5, 2010

Favorite Book, Album, and Movie Reviews

Joni Mitchell - Blue


Blue isn’t a color that one would normally associate with happiness, but Joni Mitchell’s Blue will invoke that emotion specifically. A perfect combination of happy and melancholy, her powerful lyrics and soaring vocal melodies with leave you breathless. Her lyrics would be beautiful even if they were to be simply spoken rather than sung, and immediately grasp the listener, creating a deep emotional connection with her words. Key tracks include “All I Want”, “California” and “A Case of You”. Mitchell’s voice has an almost trance-like quality and a sincerity that has yet to be matched by any contemporary artist today. Mitchell’s fourth and best album, Blue, is a necessity for any serious music lover. 



All Girls are Princesses

Even though Sara Crewe has been orphaned and is forced to sleep in a cold attic, work as a maid for other girls her age, and wear tattered rags for clothes, she is still a princess. All girls are—according to the movie A Little Princess. Based on the similarly titled book by Frances Hodgson Burnett, it may seem like your typical sob-story, but in reality it is much more than just that. The movie teaches important life lessons that can be appreciated by 10 year-olds and 60 year-olds alike. With beautiful Indian imagery and Hindu myths weaving their way throughout the story, this movie will not easily be forgotten.


The Virgin Suicides

Many books these days are much too promiscuous—leaving nothing to the imagination of the reader. The Virgin Suicides, however, is a different story. Written from the point of view of an adolescent boy, its revelations have the ability to ring true with the child inside all of us.  Jeffrey Eugenides’ writing is fresh and compelling from beginning to end and gives his book the potential to be one of the first classics to come out of recent fiction. He tells the story of 5 mysterious suicides and a neighborhood’s preoccupation with discovering an undiscoverable truth. A must-read.
 

Sunday, November 21, 2010

ABC's Modern Family


Family. It’s a simple enough concept that’s definitely been done before. From The Brady Bunch to Family Guy, people have been making shows with this theme for some time now. Modern Family, on the other hand, takes the simple idea of family life and upgrades it to a much more hilarious and entirely new level.
Created by Christopher Lloyd and Steven Levitan, the show airs on ABC Wednesday nights at 9 pm. The show features an older man (played by Ed O’Neill) by the name of Jay who has divorced and remarried a beautiful Columbian woman named Gloria (played by Sofia Vergara). Together they are attempting to raise her pre-teen son, Manny (Rico Rodriguez), whose emotions frequently get the better of him. The other families we follow throughout the season consist of a gay couple with an adopted Vietnamese daughter, Lily, and another (seemingly) normal family led by Phil (Ty Burrell) and Claire (Julie Bowen) with their three children. It seems like it would be a lot to try and follow, but after a few episodes you’ll be so immersed in the lives of these families that you won’t even be thinking about the somewhat complicated family tree.
                In the most recent episode, titled ‘Manny Get Your Gun’, the first scene shows Manny standing up at the head of a dinner table giving a speech to an ungrateful audience for his birthday. He politely thanks them all for coming, but says that he, on the other hand, was almost unable to make it due to a sudden realization that he had “skipped over his childhood”. We then travel back to 30 minutes before the birthday dinner and watch the pre-events unfold. Basically, the entire episode is based on each family getting ready to go to Manny’s party. It doesn’t sound riveting, or exciting in any way. After all, how funny can these situations be? Despite popular belief, the answer is this: pretty damn funny.
                While Manny is busy making prank phone calls (Is See-More Butts there?) and trying to recapture his “youth”, his mom and step-dad are fighting over why Gloria always seems to misplace things. The Dunphy’s (Claire and Phil) are fighting over which parent is the “cool” parent and discussing their upcoming weekend at family camp. Mitchell and his partner are fighting (yes, controversy is a definite theme here) about him not being spontaneous enough, which ends with him breaking out into dance in the middle of an outdoor mall as part of a “flash mob”. Surprise!
                The show can very obviously be compared to The Office. The main characters are delightfully politically incorrect and oblivious. Ty Burrell’s character, Phil, is incredibly similar to The Office’s Michael Scott. Their not-so-witty comebacks and non-subtle pleas for attention are identical. Even their gestures and facial expressions strike up similarities. People may say that this could detract from Modern Family’s originality, but Michael and Phil do have a few things that separate their identities, the most important being that they’re written into entirely different situations.
                Modern Family is a great sitcom to get into if you’re looking for a lot of genuine laughter. The only thing about this sitcom that will upset you is the fact that it’s only on for 30 minutes at a time.  

Sunday, November 7, 2010

Aqua: An Architectural Beauty


Upon walking up to the new Aqua building in Chicago, one’s first thought can be summed-up in one simple three-letter word: Wow. This spectacular skyscraper has a lot to say, and it’s not in the least bit afraid to say it.

This massive endeavor began in 2006, and was finished 4 years later in 2010. Designed by architect Jeanne Gang with Studio Gang Architects, it is known as the tallest building in the United States that was designed by an architecture firm led by a woman. It is located in The Loop area of Chicago at 225 N. Columbus Drive, and was given its water-themed name, Aqua, in order to keep with the nautical concepts of the buildings in the surrounding area (such as The Tides and The Shoreham). However, Aqua manages to dramatically out-shine its neighbor structures despite its similarly categorized choice of name. The aquatic theme makes perfect sense, seeing as the structure is located by both the Chicago River and Lake Michigan.  With a shocking total of 82 floors, Aqua is a massive architectural feat. Floors 1-18 are designated for hotel residents, and 19-80 are residential apartments and condominiums. And as if its accomplishments aren’t abundant enough, it is also the first building in Chicago to have electric car charging stations. Amazed yet?
                Well, there’s more. The structure itself is made up of hundreds of curvy concrete panels, each one unique, seemingly “stacked” one on top of the other. Small, square windows peek through on each side, resembling water puddled in between raised areas of wet sand. It seems as if the building is almost one large, rippling wave, flowing in the wind. It stands out marvelously from its surrounding buildings, such as the Fairmont Hotel Chicago directly across the street. Aqua simply has more character. Staring up at the huge structure, it seems almost as if it were molded out of clay by a sculptor on an enormous spin wheel. But whatever you choose to compare it to, there’s no denying its awe-inspiring beauty.
                The only criticism that this amazing building brings to mind is the fact that it’s so aware of its own amazingness. Plastered all across the main level windows are signs stating that the Aqua has been “Voted the best skyscraper in the world.” And it doesn’t just say it once, it says it multiple times. We get it already. Why not let us “ooh” and “aah” and construct our own opinions on the subject? We’ll probably end up coming to the same conclusion, but it’s simply unnecessary to pummel us with the fact.
                Standing next to this spectacular structure, you might find yourself feeling a bit “blown away”. And it’s not just due to the fact that you’re in one of the windiest cities in the country, either. The designers of the Aqua set out to create something different, beautiful, and inspiring, and they more than accomplished their goal. So next time you’re wandering around Chicago, be sure to stop by North Columbus Street. Your neck will definitely start to ache from craning upward to stare at this massive skyscraper, but frankly, you won’t mind.

Sunday, October 31, 2010

Review #2 (Negative)


L’Etoile by Edgar Degas is considered to be a classic impressionistic painting. Although Degas never himself claimed to be an impressionist, he is still considered to be one of the artists at the forefront of the impressionist movement. He was born in 1834 in Paris, France and began painting around the age of thirteen. Degas met Edouard Manet in 1864 and was influenced by his artwork for the rest of his artistic career. He was said to be a very argumentative person, with an exceedingly difficult personality. He had very few friends and was known to be constantly devoted to his work, isolating himself from the outside world. Towards the end of his life he was almost completely blind and found it difficult to continue with his artwork. He died in 1917 in Paris.
            Despite his bleak life story, Degas still managed to create many revered pieces of art during his lifetime. “The Star” is one of his more famous works but, much like his life story, the painting has an overall very depressing quality. His use of dark blues, greens, browns and blacks will bring forth exactly the emotions that normally come to mind when thinking of these colors: despair, desperation and sorrow. The focal center of the piece is the female dancer towards the lower right hand corner. Her face displays a deep melancholy, while the dancers (or audience, depending on how you choose to perceive it) behind her look on with unreadable expressions. It brings to mind the “danse macabre”. Is this girl in the innocent white tutu dancing towards her own demise? We can only speculate.

Review #1 (Positive)


Done in 1878, Edgar Degas’ classic painting titled “L’Etoile” or, in English, “The Star” is a crucial piece in the puzzle that is impressionistic painting. The color palette is a subdued mixture of pale blues, greens, and browns, giving the painting a cool, almost “danceable” overall feel. The “star” herself is the focal center of the piece. Degas’ impeccable use of shading puts the spotlight directly on the dancer as she moves effortlessly across the stage. The piece has a flow and a sense of movement that can be felt almost immediately by the viewer. The background of the painting is beautifully ambiguous. At first glance, it seems that the dancer is simply going out onto the stage from behind the stage curtains, where her fellow dancers wait to join her. But upon closer inspection, she appears to be dancing on the floor of a cave, with the other dancers huddled in the shadows of the cave walls. In the upper right corner, you can see a cold, wintery scene. Is it the open entrance to the cave, or simply a painted set piece made specifically for the ballet performance? This question can be left up to the individual viewer, and is part of the alluring mystery of the piece. Despite the attention to detail and rushed brush strokes throughout, there is one emotion that specifically comes to mind when viewing this piece: calm. However one chooses to interpret this great piece of artwork, there’s no denying that its beauty will both overwhelm and inspire you.

Sunday, October 17, 2010

Black Dogs by Jason Buhrmester

Using fake names. Stealing from liquor stores, gas stations, and department stores. Getting arrested, multiple times. And all before the age of twenty. This is the life of Patrick Sullivan, the lead character in Jason Buhrmester’s Black Dogs. It may sound like a tough life to lead, but Mr. Sullivan is doing just fine for himself. How, you ask? Well he and his friends just managed to pull off the biggest rock robbery in history. No big deal.
                A quick read at only 241 pages, Black Dogs is a fast-paced novel that tells the story of Patrick Sullivan and his odd (but lovable) group of friends living in Baltimore. After a house theft gone wrong, Patrick gets off scot-free and one of his best friends, Alex, gets sent to prison. In order to right his wrongs and get a little spending money for him and his friends, he devises a plan to rob the most popular rock band of the time, Led Zeppelin. Not everything along the way goes as planned, and the reader is taken on a hilarious ride through the ups and downs of their utterly flawed mission. As one robbery leads not-so-flawlessly into another, the crew learns more about one another and also, not so obviously, about themselves. This book has plenty of classic rock references to satisfy the music enthusiasts in the audience, but will also appeal to the not-so musically inclined due to the pure excitement factor. Zeppelin fan or not, chances are you won’t be able to put this one down.
                The book is based loosely on the “Zeppelin Robbery” that occurred in 1973. While the accounts leading up to the robbery and the characters were all fictional, the robbery did in fact take place. However, the culprit is still unknown today. Led Zeppelin’s safe deposit box at the Drake Hotel was robbed of $203,000 at the end of their ’73 tour. It was the largest safe deposit box robbery to happen in New York City at that time. Buhrmester’s account of the story is riveting and unapologetic. You’ll find your jaw dropped at some point in nearly every one of the hilariously titled chapters. Named everything from ‘The Worst Blow Job in the World’ to ‘Snowbirds’, the chapter titles alone will have you begging for more. But if that’s not enough, the rough dialogue and shallow lead characters will keep the pages turning.
                If you’re interested in reading a book filled with hidden meaning and depth, this book may not be for you. But if you’re looking for an exciting read that will keep you on your toes until the very last page, try reading Black Dogs. And if you’re not convinced that you should read it yet based on content alone, the flashy red cover should give you that extra shove.