The plot of Black Swan is based around Tchaikovsky’s beloved Swan Lake, but let’s not be led astray, this film isn’t focusing on the beauty and grace of the ballet world, but rather the dark, desperate side to the seemingly unstrained dance. It isn’t all tutus and ribbons this time.
Directed by Darren Aronofsky, it tells the story of a young ballerina, Nina (Natalie Portman), and her painful journey to the top. She lives in a small New York apartment with her much too overbearing mother (Barbara Hershey) and seems to be stuck within her childhood. Her timid speaking voice, pink pajamas, and stuffed animal filled bedroom all convey to the audience that despite her age, Nina is, and always will be, a little girl, or “My Sweet Girl” as her mother so lovingly (and creepily) refers to her. She is fragile, not unlike the tiny plastic ballet dancer that spins round and round in her jewelry box every night to help Nina rest easy. She is constantly on edge and painfully alert. The audience is made well aware from the very beginning that Nina’s seams are, and always have been, frayed, and they are in danger of coming apart at any second.
She dances for a major ballet studio directed firmly by Thomas Leroy (Vincent Cassel) and is dying to get her “big break”: a leading role in the company’s next production of Swan Lake. Winona Ryder makes her appearance as the unstable, former head dancer of the company who has simply become too old and well-known to be marketable. Despite her unflinching self-deprecation, Nina gets the part of The Swan Queen. If her stress-level was high before, it’s off the charts by this point. Her strenuous practice sessions become much more frequent and much more, well, strenuous. Let’s just say that your feet will be aching by the time the movie’s over. Her life becomes characterized by hallucinatory experiences and paranoia. Nina has no problem playing the innocent role of the White Swan, but cannot ever seem to “let loose” enough to play darker role of the Black Swan. When a new dancer named Lily (Mila Kunis) comes onto the scene straight out of California, Nina is threatened. Lily does everything that Nina cannot seem to. Nina’s already paranoid tendencies do not help her to deal with this unfortunate situation. She scratches at her own skin until it bleeds, dull to the pain. Long story short, she battles with both herself and others on the days leading up to the premiere of the ballet, striving for perfection. This strive involves throwing up her food, spraining various body parts, and relentlessly tearing herself apart, both physically and mentally.
The film has a certain Phantom of the Opera quality to it, but without the heartwarming moments and soaring vocal renditions. It’s fast paced—threatening to explode at any moment. At times the thrill is almost too much to handle, but nevertheless it will constantly keep you on the edge of your seat. Much of the movie is filmed as though seen through the eyes of a very close follower. As Nina is hurrying to work you only see the back of her hair as the camera jostles slightly with her every step. The audience sees all of Nina’s obsessive tendencies up close and personal, making them all the more disturbing. Uneasiness seems to be a common theme, and it resonates with the audience. There were a few moments in the film that were funny, although not necessarily intentionally so. The audience in the theatre would laugh nervously, desperate for a small break from the uncomfortable subject matter. Black Swan is not for those with weak stomachs, and it’s definitely not a “feel good” film by any means, but it delivers masterfully in the thrill and terror departments. It will get under your skin. Pun intended.
Natalie Portman does an amazing job in her role as Nina. She did a majority of her dancing scenes on her own after training for months before filming, and cut her weight down to a scary low. She is so convincing as Nina that you’ll have to keep reminding yourself that this tiny, fragile woman with bones jutting out everywhere is actually Portman, and that she has done all of this for a movie role. Her dedication to her career is inspiring.
Black Swan is an intense, psychological thriller that is definitely worth your time. Your muscles will ache from the tension by the end. You will become almost completely immersed in the world that Aronofsky has created. In the last scene, without giving away the twist ending, Portman really sums up the film in just three short words: “It was perfect.”



